For highs you can boost them and then gently cut at 10k/20k to avoid the whistling sound of too much EQ Which looks simple but is really powerful - you have boost and cut knobs and the magic happens when you turn both up, because you get this - works wonders for making kicks heavy without getting them muddy. The Vintage EQ gives you a great-sounding emulation of Pultec EQ: There's a codec preview so you can hear how Soundcloud will destroy your mix with 128kbps MP3 encoding *before* you upload. There is a option that makes everything same volume so you can turn the plugin in and out and actually compare if you're not screwing up the mix. There is a mono button to check for your compatibility in mono.
I'm not talking about the GUI, there's a ton of important things lots of people overlook. It's a great all-in-one for your buses or individual tracks (the multiband transient shaper is KILLER on drums), but for mastering you need something subtler. first of all, Alloy is not a mastering thing. The limiter in alloy isnt the best however. It has literally everything you need, especially the two stage comp, vintage pre EQ curves, multiband transient shaper and exciter. There might be a few ease of use options and UI improvements but those are the major differences.Īlloy 2 is amazing on drums, its insane how much you can get the drums popping, would definitely recommend. also Pretty much everything else is the same imo. ozone 7's standalone UI also supports the drag in track, but my workflow doesnt really incoorporate that. ozone 7 also has IRC IV which is prolly overkill but i guess it depends on your needs. One of the differences is that ozone 7 has a completely re-routable plugin chain, so you can customize a bit more than you normally would on how the signal chain runs. Ozone 5 however runs a hell of a lot smoother, (unless you run IRC III on the limiter). From a performance standpoint for me (i5 2500k OC'd to 4.4GHz 16 gb ram) ozone 7 is an absolute cpu killer, you would have to bounce out mostly everything to have any semblence of real time mixing/mastering.
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